Movie review: The Lake
The Lake is a big-budget Thai eco-monster movie in which giant amphibious lake creatures rampage through a town in rural northeastern Thailand.
The Lake is a big-budget Thai eco-monster movie in which giant amphibious lake creatures rampage through a town in rural northeastern Thailand.
Released smartly in time for the COP27 climate change conference, the film “The Oil Machine”, presents a stark picture of the imperative to cut our use of fossil fuels, in particular crude oil, but moreover of our utter dependency on the “black gold” for practically all aspects of modern civilization.
But overall this is a mess of a show with little discernible connection to the novel on which it’s supposedly based, and nothing substantive to say about the current world energy situation.
So, was the film “Planet of the Humans” a hit job on the environmental movement disguised by the filmmakers’ phony claim to care about Mother Earth? Or was it an honest, get real, exposé of its assertion that, “The takeover of the environmental movement by capitalism is now complete”?
When the medical thriller movie Contagion came out in 2011, it was widely praised for its realistic portrayal of a global pandemic scenario. In recent weeks, as the real-life outbreak of coronavirus disease 2019 (COVID-19) has spread around the world, there’s been a surge of renewed interest in the film.
If compelling scientific evidence isn’t sufficient to change the minds of people in the most powerful and second highest CO2-emitting nation in the world, wonder these experts, then what is? Nature photographer James Balog may have found one answer.
I hadn’t heard of James Balog, whose work is the subject of ‘Chasing Ice’, until I saw him give a presentation at TED Global in Oxford in 2008. It was in a session after supper, along with Nigeran novelist Chimamanda Ngozi Adichie, an evening optional extra for anyone who still had any headspace after a day of back-to-back talks. I didn’t know anything about James’ project, the Extreme Ice Survey. What he shared that night was so powerful that I was unable to sleep. Unlike much that one might read about climate change, the debates, the research, the statistics which appeal to our rational mind, Balog’s work was visceral. You could feel it in your stomach. It haunted you, while at the same time stunning you with its breathtaking beauty. That’s a powerful combination, and it is that combination that makes ‘Chasing Ice’ such an extraordinary and vital film.
Matt Damon’s new fictional movie about natural gas development in a rural township shows no tanker trucks, no ghastly wastewater ponds, and not even one drilling pad or derrick. In fact, drilling has yet to begin. So why is the natural gas industry having such a hissy fit over the film?
The documentary takes a penetrating look at overpopulation, what fuels it and why the world has become complacent about the issue after making a good start in addressing it during the late 60s. The film dispels some key myths about overpopulation – chief among them the belief that it’s long been solved – even if it stops short of admitting the inevitability of a world population crash as the Earth’s resources deplete. And it conveys its message in an engaging, visually immersive style that finds just the right balance between hard facts and ordinary human involvement.
What do you do when you are the heir to the Proctor and Gamble fortune and you have spent years surrounding yourself with new agey thinking and conspiracy theories? You make a film like "Thrive" the latest conspiracy theory movie that is popping up all over the place.
The second half of the oil age will be very, very different from the first half. The first half was awash with cheap, easy-to-find and easy-to-produce oil and gas. The second half will be the story of expensive-to-produce hydrocarbons, from increasingly inaccessible places … Unless we are able to break our addiction to hydrocarbons sooner rather than later, it will be a wretched and increasingly desperate time of squeezing fuel out of anything we can.
‘Zeitgeist: Moving Forward,’ makes a strong critique of party politics, market economics and overshoot. The film even explores peak oil. But its solution is an unconvincing techno-utopian fantasy straight out of science fiction complete with pod-cities of the future. Why would such a schizophrenic film boast so many rabid fans?