Culture & Behavior

Lines of defence (I): The thin brown line

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There’s a palpable sense of expectation as we cruise down the canal. Two dozen people and barely a word passes between us. It’s not the roar of the triple outboard engines, nor the forced camaraderie of strangers thrust together, with only their environmentalisms in common. Rather, it’s the sense that we’re travelling towards something—not a place, but a phenomenon, an event—whose name we know but whose face we have not yet seen.

Climbing a dark mountain: Thoughts on a new culture

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I’ve recently finished reading Dark Mountain issue 1, the first publication of the global artists’ collective of the same name, of which I am a member. It’s an astonishing collection (work of 37 different authors) of appreciation and reflection on our civilization’s beginning collapse, and I recommend it without hesitation to anyone who has reached the point of understanding that our unsustainable civilization culture can’t be saved, and is trying to cope with that terrible knowledge.

Deconstructing Dinner: Local food fraud, an investigation

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An exclusive behind-the-scenes investigative report taking an in-depth look into alleged local food fraud. In May 2010, Deconstructing Dinner received a tip from a farmer in the West Kootenay region of British Columbia who alleged that a local business who sells eggs to 18 retailers and restaurants and who was marketing their product as being predominantly from their own farm, was not true. According to the tip, the “farm” was not a farm at all, and housed no chickens on the property!

Review: The Witch of Hebron by James Kunstler

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The Witch of Hebron picks up a couple of months after World Made by Hand ended. Returning to the small upstate New York town of Union Grove, the new book further defines the post-apocalyptic setting, adds depth to characters who played only minor parts in the first story, ties up loose ends from the previous book and introduces some all new dilemmas. And it does all of this against the backdrop of a full-moon Halloween, lending a delicious sense of foreboding to the proceedings.

Pulcinella’s escape

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Pulcinella was the most restless marionette in the old theater. He always had something to protest about. At performance time, he wanted to take a stroll. Or the puppet-master gave him a comic role when he had wanted something more serious.

“One day or another,” he confided to Arlecchino the Harlequin, “I’m going to cut my strings.” And that’s what he did, but it wasn’t during the day. One night he’d gotten a hold of a pair of scissors that the puppet-master had left behind. One after the other, he cut the strings tied to his head, his hands and his feet.

Xenophobia all over the place?

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The dictionary defines xenophobia as “fear or hatred of strangers or foreigners or of anything that is strange or foreign.” It seems to be an endemic plague everywhere in the world. But it infects larger numbers of people only sometimes. This is one of those times.

Stories from the mountain-top

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As part of its focus on action in the present–the moment at which oil is peaking–as a time of opportunity for decisive action of historical consequences, the Transition Movement embraces the act of telling stories; stories are a crucial tool for this monumental change–as important, perhaps, as our new-found ability to darn socks and grow Kale. (Part 2 of “Existential Comfort in the Age of Hopkins and Greer”)

The Long and the Short of It: Existential Comfort in the Age of Hopkins and Greer

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…fortunately I don’t actually have to choose between Hopkins and Greer. If I did have to, I would feel that much of what drew me to Transition had been lost to organizational identity and pride. One is only forced to make such a choice when a set of ideas or principles gets mistaken for the foundation or orthodoxy of a Movement. Those of us in Transition should take this as a great warning.