cultural stories

Being Salmon, Being Human: Preface

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We inhabitants of industrial civilization still live inside a human-centered story. The story articulates itself in the ways we speak, what we think, how we listen, what we hear. It expresses itself in the physical forms of our life-worlds, in our legal, political, and economic institutions. It gives structure to the way we conceive of and inhabit both space and time. It shapes our encounters with other-than-human living creatures, as well as with the larger planetary presence. This is the story of the human as a separate self.

Monbiot: ‘We Need that New Political Narrative’

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Prompted by the sense that we are living through a moment of transition, George’s latest book, ‘Out Of The Wreckage: A New Politics for an Age of Crisis’, attempts to sketch a way forward. Most important to this project, he argues, is a political ‘narrative’ that can gain traction as the new ‘common sense’, carrying within it our values and the society that we want live in. But the book is also full of practical proposals, from land value taxes and community land trusts, to democratic reforms and ‘Big Organizing’.

Living in the Borderlands

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Our world is experiencing a dark wood that appears to stretch to the horizon and beyond. A dark wood in which there are no maps, because we have created a forest empty of the stories that connect us back to our deeper soul, to our natural ground, to our understanding that we are all connected. When we lose our stories we lose this common ground, that which holds us and grounds us in a sense of the whole.

Review of Merigan Tales (short story collection edited by John Michael Greer)

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The stories that fill this extraordinary volume depict a far-future world that defies most people’s expectations about the future. In it, America and the other developed nations have reverted to a preindustrial state of existence as a consequence of having exhausted the Earth’s economically recoverable fossil fuels as well as rendered immense regions of the planet humanly uninhabitable in the process.

Coming Down the Mountain: A Farewell

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I tell this story now because one of the results of that experience, one of the things I have learned, is that it is time now for me to step back from my work with the Dark Mountain Project, which I helped to found. It’s time for me to come down off of this mountain and see what I can do with what I found up on the slopes. It’s been a long, strange journey.

The Terror of Deep Time

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Grasp the fact that our species is a temporary yet integral part of the whole system we call the biosphere of the Earth, and it becomes a good deal easier to see that we are part of a story that didn’t begin with us, won’t end with us, and doesn’t happen to assign us an overwhelmingly important role. There’s much to be gained by ditching the tantrums, coming to terms with our decidedly modest place in the cosmos, and coming to understand the story in which we play our small but significant part.

Under the Volcano

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What distinguishes Dark Mountain from grassroots Earth-defending organisations and progressive movements is that it is a creative response to prevailing crises—and lacks an evangelical agenda to fix them. The project’s manifesto can act as a frame, but there is no drive to act in the space that frame creates—no pressure to shut down power stations or convince your neighbour to stop flying, or your community to reduce its carbon emissions.

Walking on Lava

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What can writing do about this? What problems can art solve? In one sense, the answers are: nothing, and none. But in another sense, these are the wrong questions. ‘All civilisations’, we wrote in the manifesto, ‘are built on stories.’ When the stories fail, we need to know how to tell different ones. We need to have the perspective to understand the failure, and the imagination to offer up new ways of seeing.

On the Way to Muir Woods or Bust

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A comic novel about climate change? Anymore, it’s either laughter or tears. The comedy here works as a sweetener to help the reader swallow a harsher message. That climate change threatens not only our external Mother Earth, but also our internal planets. Thus, the main character, Gil Moss, a psychologist, proposes a new category of DSM diagnoses: Eco-Mood Disorders. One symptom being the loss of any ability to feel ‘at home’.

Do You Still Feel Capitalism Dying?

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Can you feel capitalism dying around you? There is a mental disease of late-stage capitalism causing deep worry and anxiety, prompting feelings of severe isolation and humiliation, combined with a profound sense of powerlessness for millions of people around the world. The question I ask today is What are YOU going to do about it?