Dark Mountain Editors

The firekeeping practice became a way to resist those forces, to access our deep-time knowledge and put us in sync with the Earth’s rhythms and metabolism, kin with the thousands of people who are holding fires and doing this regenerative culture making at the same time.

And the suspicion arises that, behind all these manifestations of extraction, lies the same emotional and metaphysical vacuum – a hole in the heart as long and wide as the Berkeley pit: unappeasable, irrational, and ultimately incapable of ever being filled.

What can writing do about this? What problems can art solve? In one sense, the answers are: nothing, and none. But in another sense, these are the wrong questions. ‘All civilisations’, we wrote in the manifesto, ‘are built on stories.’ When the stories fail, we need to know how to tell different ones. We need to have the perspective to understand the failure, and the imagination to offer up new ways of seeing.